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Showing posts from February, 2020

Week Seven

Today was seinen and shounen day! I presented on 20th Century Boys  by Naoki Urasawa, as was familiar with Full Metal Alchemist  and read some of Oyasumi Punpun. I was inspired by Macy's presentation on FMA to discuss the female characters in 20th Century Boys.  I think the girls in FMA are spectacularly fleshed out and presented, especially for how many there are. In 20th Century Boys, there aren't nearly as many important women compared to the men; however, I think they are all well developed and important. They aren't stereotypes of women. Our first woman, Yukiji, is a very strong female. Both literally physically strong and mentally. She is still feminine, however. She prefers to wear feminine clothes, typically attractive clothing. She complains about her love life, and she has an obvious crush on Kenji. She's both a tomboyish but also feminine character. She has her own personality and concerns beyond relying on the other characters. She's concerned for

Week Six

This week I read Gekkan Shoujo Nozaki-kun.  I chose to read this because my friends are fans of it. This manga is definitely targeted towards girls. The set up is that the main character, a girl named Chiyo, wants to confess her love to Nozaki, a rather oblivious and dense boy who is also a mangaka of a somewhat popular shoujo manga as well. The manga is rather hilarious in that Nozaki just does not understand Chiyo's feelings, but Chiyo doesn't give up. Along the way, we meet other characters who also have their own romantic problems. It's meant to be a comedic, 4koma-esque manga. A lot of the ideals are subtle, but still there. Much of it is not giving up, not misunderstanding or having clear communication. Take life by the handles! Another manga I want to mention that is both shoujo and romance is O Maidens in Your Savage Season. I've actually been reading this for a while, slowly, although new scanlations just got released (yesterday at the time of this postin

Week Five

Romance manga is something I'm very familiar with, so for this week I reread and rehashed myself with Princess Jellyfish, Ouran High School Host Club, and Fruits Basket. To start off, Kuragehime's mangaka, Akiko Higashimura, is one of my favorite. Not because of Kuragehime, actually, but because of one of her later works--Tokyo Tarareba Girls. I think Princess Jellyfish stands out because it is such an unusual romance. TTG is also unusual, with a slightly older cast. I think both are phenomenal because it shows different sides of love, unlike usual shoujo romance manga. Love isn't this one way street where you meet some person in high school and suddenly you're together forever, it hardly happens that way. On the other hand, Fruits Basket and OHSHC both revolve around the high school romance. Both were actually two of my first series getting into animanga. Personally, I don't think they're actually that stand out aside from OHSHC's humor now that I'm

Week Four

Sorry for my absence this week, I was really not feeling well that day (or week to be honest). I'm actually disappointed since I missed Miyazaki week and I love Miyazaki. For this week, we read Nausicaa. This being Miyazaki's only manga, I was amazed to see how similar it was to his films. Then again, coming from previously being in Animation, I understand why it's so similar. It's basically like storyboarding and anime, but with less frames. Another thing that intrigued me is the fact that the plot was simplified upon converting into a film. The plot for the manga was very fleshed out and complex, but obviously a film cannot fit all that nuance so it must be simplified and condensed. This actually makes me want to see what the original plot to all of Miyazaki's films are, and if they are originally more complex and simplified down to fit a feature film length.